It’s not
summertime yet, but YA Guy’s been reading lots of island literature.
Of the many
debuts I’ve read in 2014, four have had island settings: Christine Kohler’s No Surrender Soldier (Guam), John Dixon’s
Phoenix Island (the titular island, a
military boot camp for troubled teens), Austin Aslan’s The Islands at the End of the World (Hawaii), and most recently,
Lynne Matson’s Nil (an island in a
parallel dimension from which teens have exactly one year to escape).
All of these
books have been awesome. I’ve reviewed Kohler’s book here, Dixon’s here, Aslan’s
here, and I’m reviewing Nil right
now.
I totally loved Nil. At first I feared the premise might be too Maze Runner-y: trapped teens form
their own society while fighting to return home. But Matson plays Nil from a totally different angle,
focusing on love, romance, and what I can only call metaphysics. The island becomes
a metaphor for the randomness and chaos of the real world, while at the same
time it allows a newfound spirituality to blossom in these teens wrenched from
familiar surroundings and thrust into hostile, alien ground. Here’s heroine
Charley, who falls for hunky Thad though both know their odds of outliving the
island are slim:
“Luck is
personal; we all have our own. Sometimes it’s good, sometimes it’s bad, but it’s
yours, and it follows you wherever you go--even to Nil. And luck can change,
because as my nana always insisted, luck was a state of mind.
Chance, on the
other hand, is different. Chance is a coin toss, chance is probability. My
charts had increased Thad’s chances, but it hadn’t changed his luck.
And I couldn’t
understand why.
As we left the
meadow, I pondered luck and chance, labyrinths and personal journeys, island
mazes and carvings and the eternal question: Why are we here?”
In light of this
speech and others like it in Matson’s wonderfully realized tale, it becomes
apparent why island stories are so popular among YAs. Teens frequently feel as
if they’ve been cast away on an island where life is a struggle for survival
against senseless rules someone else imposed on them. Or they feel as if they
themselves are the island, isolated and unapproachable, misunderstood by
everyone on the continent. Finding your soulmate on that island, as Charley
finds Thad in one of the most powerful and tender (not to mention sexy) love
stories I’ve read in YA, can seem like the only thing that gives life meaning.
And the thought of losing that sense of cosmic rightness, as Charley and Thad
fear losing each other, can seem like, literally, the end of the world.
So if you’re
looking for a good island read, I’d recommend Nil. Or any of the other books named in this post. They’ll transport
you, amaze you, ravish you--and at the same time, make you remember what it
feels like to come home.
